Achievements
Discover our achievements :
Some examples of our restoration works.
On this page, you’ll find examples of restoration works carried out by Atelier Braja. You’ll see before-and-after transformations, classified by category: archaeological terracotta, porcelain, earthenware, glass and enamel.
Our interventions aim to restore the legibility and aesthetic of the art works, while ensuring their long-term conservation. We also document each stage of the operations, in accordance with the code of ethics of our profession.
We are able to treat all types of ceramic, glass and enamel objects, whether they be sculptures, decorative objects, archaeological pieces or contemporary works. We invite you to browse through our examples to discover our approach and our work. ⬇
Archaeological ceramics
Gallo-Roman jug.
on display at the archeological museum of Fréjus.
Project carried out in partnership with the CREAM laboratory. Cleaning, removal of old traces of tape, bonding and structural fillings.
Medieval tile with heraldic.
Decoration belonging to the Isère Department and exhibited at the castle of Vizille.
Project carried out in partnership with the CREAM laboratory. Cleaning, bonding, filling and restitution of the decoration with historical documentation.
Egyptian Oushepti, XXIInd dynasty.
Museum of Fine Art of Lyon.
Project carried out in partnership with the CREAM laboratory. Cleaning, stabilization of soluble salts and consolidation, bonding and, structural fillings.
Porcelain
Porcelain station of the way of Cross in Saint-Charles church.
Gilles the younger Factory, 1867, Joinville-le-Pont (94).
Derestoration, cleaning, bonding, filling of the gaps and retouching of the decor.
Porcelain violin, 20th century, private collection.
Paris.
Cleaning, bonding, filling of the gaps and retouching of the decor.
“Love makes time pass” Clock from the Nast factory, early 19th century.
Castle of Malmaison.
Project carried out in partnership with the Villiaume clockmaker workshop. Study, cleaning, derestoration, bonding, filling of porcelain gaps and retouching.
Earthenware
Earthenware fountain from the Cirey factory Cirey, 1766.
Museum of Fine arts of Besançon.
Complete cleaning, removal of old fillings and overhanging repaints, stabilization of metal staples.
Planter of the titans, 1890.
Choisy le Roi Factory, vase by Rodin and Carrier-Belleuse.
Cleaning, restoration of a missing decoration on the bellyand retouching.
Palmette by Matisse.
Matisse Museum, Nice (06100).
Project carried out in partnership with the CREAM laboratory. Bonding, filling shards and retouching.
Glass
Emile Gallé lamp.
Private collection, Paris.
Complete cleaning, removal of adhesive stains, bonding of fragments and filling of the gaps.
Merovingian apode beaker.
Museum of Bourg en Bresse.
Project carried out in partnership with the CREAM laboratory. Derestoration, bonding and structural fillings.
Enameled glass bottle.
Museum of Fine arts of Besançon, 1726.
Cleaning and filling of a large gap at the bottom of the belly.
Enamels
Lepaute enamel dial.
19th century, Castle of Malmaison
Cleaning, protection of the metallic surface, filling of the gaps and retouching.
Enameled plaque by Laudin.
From the treasury of the Abbaye St-Rémi de Reims, 1663, Museum of Saint-Rémi.
Study, cleaning, protection of the metallic surface, fillings of the lacunae and pictorial reintegration. Project carried out in partnership with CH Conservation.
Enameled copper salt cellar, 18th century.
City of the Ceramic of Sèvres.
Project carried out in partnership with the National Institute of cultural heritage (INP).
Cleaning, consolidation of the enamel, filling of the gaps, restitution of a lacunae leg and retouch of the color.
The workshop welcomes you by appointment for the restoration of your art and archaeological objects.